Jan Edwards is a woman of many talents – writer, editor, publisher,
bookseller, Reiki master, tarot reader, quilter, motorbike chick,
Britain’s first female master locksmith, gardener, cook, potter and
sculptor…
So, first let’s talk about Jan the writer. When did you first start writing and what genres draw you.
It always sounds like such a cliché to say I have always written, for as
long as I can remember, but I suspect this is quite true with the
majority of writers. I amused the family no end by talking in the third
person for a week or more when I was around seven years old, because I
wanted to see what I would sound like as a book and at secondary school I
filled many school notebooks with fiction (mostly during lesson times).
I wrote primarily for myself for years and only really started thinking
about writing for publication in my late thirties when the family and
business needed less of my time.
What draws me? I have always been fascinated by folklore, myths and
legends, especially those that give rise to local customs, so fantasy
was a natural path. A great deal of my short fiction has been dark
fantasy, urban fantasy and horror and many of those stories have been
drawn directly from those sources. Sussex Tales, my mainstream
novel, also has a lean toward those local customs with the added bonus
of country wine recipes and rural herb lore. Currently I am writing a
crime novel set in WW2 which is more historical than mythical –though I
still find myself caught up in the same levels of research. As you can
see there is no one genre that draws me; except for a recurring love of
those old legends.
Which authors have inspired you in these genres?
This is the kind of question I always hate answering mainly because my
influences and inspirations are so wide. Jane Austen and Daphne Du
Maurier have always been huge influences, as have Arthur Conan Doyle,
Joan Aitken, Michael Moorcock, Robert Holdstock and so many more. Ask me
tomorrow and I will find a half dozen others.
When it comes to more recent authors it is even harder to choose
because we all read so many new titles by so many people that to name
one or two above the rest would be unfair to the dozens of other equally
spiffing writers. I could list all of the recent and forthcoming Alchemy Press
authors such as Pete Atkins, Jessica Amanda Salmonson, Bryn Fortey,
Mike Chinn, Anne Nichols, Adrian Cole, Pauline Dungate, James Brogden,
Paul Kane, Marion Pitman, David Sutton, John Grant et al – or the Penkhull Press
writers; Misha Herwin, Jem Shaw and Malcolm Havard – but that would be
unfair to all of the other writers that not yet published by either
press!
Recently read books that I’ve enjoyed most especially (who are not
Alchemy Press writers – all of whom are fab!) have been by (in no
special order) Jo Walton, Joanne Harris, Jim Butcher, Lou Morgan and
Paul Finch. There are others of course but these are the ones that have
stuck with me, which is always a good sign.
Have you ever been tempted to retell Pride and Prejudice with a genre slant? ;-)
It has crossed my mind, though it has been done so many times already
that I am not sure it would be a project people would want to see. A
regency urban fantasy might be quite fun to do if I got my act together.
Elizabeth Bennett is one of the greatest characters in literature. She
could be parachuted into almost any setting and still work. I suspect
she has been paid homage (and occasionally pastiched) by many, many,
writers – albeit under different names.
You’ve just had your supernatural fiction collection Leinster Gardens and Other Subtleties published with The Alchemy Press. Tell us a little more about that.
Leinster Gardens and Other Subtleties (to paraphrase) is
exactly what it says on the cover. A collection of supernatural fiction
(in paper and kindle formats). All but one of the stories included have
been previously published, and some of the stories had a limited
audience on first publication it seemed like a good idea to give them a
second airing. The single original story in there is not strictly
speaking new as it was accepted for Twisted Tongue magazine
which folded before my story was published. They are all supernatural in
origin, either traditional ghost stories or tales that revolve around a
spirit of a kind. I am not a writer of visceral horror, but rather (I
hope) the sort that raises an uneasy sensation in the back of the neck
when you are walking home in the dark!
You’ve got another collection – Fables and Fabulations – coming out soon. When, with whom and is there a particular theme to it?
Fables and Fabulations is coming out very soon as a ‘Penkhull Slim’
volume with the Penkhull Press. Again these are all previously published
stories gathered together in a single volume, but unlike Leinster Gardens and Other Subtleties there is no particular theme beyond fantasy in its broadest sense. Fables and Fabulations opens with the vampire tale ‘A Taste of Culture, (first published in the Mammoth Book of Dracula
and ends with ‘Winter Eve’, (from Ethereal Tales #9) which is an urban
fantasy on Halloween and the water horses of legend galloping across
Pontypridd common. There is also are SF and horror tales in the mix so
hopefully something for everyone.
Next, Jan the editor. You’ve edited multiple publications for
the BFS, and co-edited for both The Alchemy Press and Fox Spirit Books.
What’s the appeal of this side of publishing for you?
I do love the process of putting an anthology together. Sifting through
the submissions and coming across those gems of short fiction is hard
work but infinitely rewarding. The downside is in having to reject some
really good stuff, either because it doesn’t fit or there is a similar
story that you like just that little bit better. It is also a great way
to network with other writers!
Do you have a dream anthology project you’d like to do or authors you’d like to work with in the future?
There are so many projects that would be fun to do. Something with a
pagan theme perhaps – ‘Quarters and Cross Quarters’ (a working title) or
maybe as an retired locksmith something like ‘Picking Over Locks’. That
said I prefer not to have my themes too narrowly set. By the time you
have read the sixth story about one-legged zombie hunters or Unicorns at
Halloween even the best of fiction can lack originality.
Who would I like to work with? Hmm. Well the Alchemy Press books of Urban Mythic 1 &2 and Alchemy Press book of Ancient Wonders as well as the Fox Spirit book of Wicked Women
all have some stellar line-ups. Top notch established writers and
talented new arrivals. And of course with Alchemy Press I have worked
with some fabulous writers already mentioned. So who left? I would love
to get stories from Charles de Lint or Jim Butcher, Joanne Harris or
Sarah Pinborough. But there are dozens, maybe hundreds of writers I
could name and would hate to make a list and forget to include folks I
admire but who slipped my mind just for a moment.
Do you have any recommendations for short fiction or anthologies by others?
Other than Alchemy Press authors you mean? See above. There are a
zillion great writers out there I could name! The Terror Tales series of
anthologies from Gray Friar Press are always worth reading. Sadly the
Mammoth imprint is being phased out – I was thrilled to get a story
accepted for one of their last titles Mammoth book of The Adventures of Moriarty.
PS publishing put out some cracking anthologies. As a writer I enjoy an
anthology that has variety. As an editor, though I use my e-reader as
everyone else does, I still feel that books should be a thing of beauty,
and I place a lot of value on production values. Layouts should please
the eye and typos be few and far between. Most of all, with both hats
on, they should entertain. I suspect only the editors like every story
in a given anthology, but the good thing about them for a reader is that
if there is one story in a volume that doesn’t grab you there is a good
chance the next one will.
What are you up to next?
I have Fables and Fabulations coming soon, there are short stories due out in three anthologies in The Mammoth Book of the Adventures of Moriarty: The Secret Life of Sherlock Holmes’s Nemesis, Tales From The Lake: vol 2 and Terror Tales of the Ocean,
and one other yet to be announced. I have a main stream novel due out
with Penkhull Press in the spring and a crime novel and urban fantasy
series in edit.
On ‘fun stuff’, you can catch me in a panel at Fantasycon 2015 in Nottingham, where Alchemy Press will be selling books and launching Music in the Bone, a collection by Marion Pitman. We shall also be at Novacon in Nottingham selling books, I shall be on panel about editing and we will be launching Anne Nicholls’s collection Music From the Fifth Planet; and then there is Sledgelit In Derby where we are selling books and hopefully soft launching the collection The Complete Weird Epistles of Penelope Pettiweather, Ghost Collector by US writer Jessica Amanda Salmonson .
On other stuff Alchemy Press have multiple short listings in the British Fantasy Awards. Best Anthology: The Alchemy Press Book of Urban Mythic 2, edited by Jan Edwards and Jenny Barber; Best Collection: Nick Nightmare Investigates, by Adrian Cole (co-published with Airgedlámh Publications); Best Non-Fiction: Touchstones: Essays on the Fantastic, by John Howard and Best Independent Press: The Alchemy Press itself. (we won this award last year.
Fox Spirit are also in the running for multiple in the BFA shortlists with: Best Anthology with Tales of Eve; Best Fantasy Novel Breed by K.T. Davies; Best Short Story with ‘Change of Heart by Gaie Sebold which appears in our Wicked Women anthology (edited by Jenny Barber and Jan Edwards ) and finally for Best Independent Press
Penkhull Press and Renegade Writers have a story café at the Gladstone Museum in Stoke for Halloween.
I have no doubt other things will be slotted into the calendar before
the new year. You can always catch up with what I am doing on my blog site.
Jan Edwards, thank you very much for joining us!
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