Author of “La Vouivre” in Urban Mythic 2, Sarah Ash answers a few questions!
Tell us a little about yourself and your writing.
I love stories. When I was a child, I used to scribble after ‘lights
out’ by the street lamp outside my window, filling little notebooks with
barely legible scrawl in different coloured crayons. Growing up in
Bath, I used to wonder about all the lives lived out from pre-Roman
times till the present day and how what happened back then gradually
became transmuted into local legend as it was told and re-told through
the ages. Which is why what I like to explore in my own writing what
would happen, for example, if a rational, enlightened eighteenth century
soldier-prince encountered real, raw magic when waging war on the
neighbouring country (The Tears of Artamon). I was trained as a
musician and taught music for many years and my stories frequently
feature musicians struggling with their craft. Kaito, the main
protagonist of The Flood Dragon’s Sacrifice plays the flute – and an old song of his clan takes on a special significance as the story develops.
What is at the root of your Urban Mythic story?
A summer holiday in the Jura a few years ago brought us into Courbet
country. Frustratingly, the new Courbet museum in Ornans was still being
finished then, but we were able to visit a few of the places he
depicted in his paintings. It’s atmospheric, tranquil, unspoilt
countryside where time seems to stand still. As for La Vouivre, this
isn’t her first appearance in my writing! I’m still working on a longer
novel in which she is one of the protagonists … but set several hundred
years earlier.
What attracts you to anime and manga, and have you ever considered writing in this form?
How long have you got? Well, first of all, there’s a distinctive
attitude to story-telling and character interaction that I don’t find in
other graphic novels or Western animation. For example: in a shounen
(boys’) manga or anime like Naruto, characters get hurt and die, even when they have supernatural powers. It might be fantasy (with ninjas) but it feels
real. You won’t find that kind of emotional realism in the animated
shows churned out (mostly) by the US for YA audiences – and it’s why you
won’t find much anime (unless it’s been heavily sanitised) on kids’ TV
in the UK.
Secondly, I love the way that certain mangaka-like CLAMP (the
celebrated four women team) weave Japanese mythology into their work; xxxHolic
is still one of my favourite manga, with gorgeous Art Nouveau-style
graphics and twisted tales that stretch the imagination of the reader.
Thirdly, a great deal of care and attention goes into the soundtracks
for anime series; the work of gifted composers such as Yoko Kanno,
Kenji Kawai, and Yuki Kajiura add so much to the whole experience with
their imaginative and memorable scores.
Lastly, I’d really love to write in this form if a mangaka expressed
interested in working with me (hint, hint…). And I’d be insanely happy
if a Japanese publisher ever offered to publish any of my novels and – a
frequent bonus in Japanese light novels – add illustrations.
If you could have dinner with any writer in your field (past or present) who would it be and why?
Alexandre Dumas the elder would make a wonderful dinner companion;
given his colourful life and appreciation of all things gastronomique –
he might even prepare some of the dishes himself!
Is there one subject you would never write about as an author?
It’s not so much a single subject as when unexpected events in ‘real
life’ suddenly – and horribly – come close to a significant episode in
the story that I’m working on (tidal wave/tsunami being a recent case in
point) I find it almost impossible to continue.
Room 101 time: what one genre cliché would you get rid of?
The teenage kick-ass heroine who is a ruthless assassin but also a
brilliant and sensitive musician, looks good in a silk gown on the dance
floor at the palace ball (make up Mary Sue-style shopping list of
character assets as desired…). First person present tense with these
young ladies is also becoming a little stale. (Was that two clichés?)
What are you up to next?
I’ve recently brought out my first original e-book, The Flood Dragon’s Sacrifice
which is the first of a two-part Japanese fantasy, so I’m (desperately)
trying to finish the second part. I’m also working on the sequel to Scent of Lilies a historical ghost story set in the Byzantine empire
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