Tell us a little about yourself and your writing.
I’m a novelist and short story writer, and I bounce infuriatingly
between any kind of genre that takes my fancy. So far, that’s urban
fantasy and horror for both adult and teen readers, because at the end
of the day, I just like telling stories.
My first novel, Blood and Feathers, was an urban fantasy
involving hellmouths and sarcastic angels with drinking problems,
handguns and secrets, and which was nominated for British Fantasy Awards
in both the best newcomer and best fantasy novel categories. The
sequel, Blood and Feathers: Rebellion, picks up the story, and
has also been nominated in the best fantasy novel category for this
year’s BFAs. I’ve also written short stories for people like PS
Publishing, Jurassic, Fox Spirit and Solaris – and Alchemy Press, of
course.
And I have two cats, because that’s the law if you write fantasy.
What is at the root of your Urban Mythic story?
The idea behind “Death and the Weaver” came from Breton folklore. I
spent a lot of time in Brittany growing up, and still go back most
summers, so I know the stories pretty well. My favourite was always the
Ankou, a skeletal Grim Reaper figure whose role was to collect the
souls of the dead from each parish. On the face of it, it doesn’t sound
that unusual, but the interesting thing about the Ankou is that he is
always one of the parishioners himself: the soul of the last person to
die in the year serves as the Ankou for a year and is then replaced. I
love the idea that this could (and probably would) mean it was someone
you knew – and I started to wonder how that would change your
relationship with death.
Bringing the Ankou up to date was a lot of fun. I read as many
versions of the legend as I could, which stretched my French about as
far as it could go! In most of them, the Ankou is very tall and usually
has long white hair and a head which constantly revolves (so no death
escapes him). He carries a scythe with the blade pointing forward and
rides a cart pulled by two horses – one fat and one thin. Not all of
these would work in a modern setting … but the C in a Citroen 2CV
originally referred to “chevaux” (horses), so…
You’re known for having soundtracks for your work – did “Death and the Weaver” have a soundtrack or particular song?
Funnily enough, it did! Along with the Breton folklore, I love Breton
music and I have quite a lot of it. I started out having some of the
more traditional songs playing in the background, but even modern Breton
music still has strong folk roots so there’re lots of bagpipes and
accordions in there. I ended up with two songs pretty much on a loop,
both by Anthony Chaplain. One was “Marie de la Dondaine” (click here) and
the other was “Bzh” – basically a mash-up of several different
traditional songs. The title is the abbreviation for the Breton name for
Brittany: Breizh. Those two songs between them probably came to feel
like a part of the story.
How has the transition between writing adult and YA fiction
been? Is there anything you can do with your YA work that you couldn’t
do with your adult work? Or vice versa?
I’ve probably been very lucky in that the kind of books I want to
write hover around the border between YA and adult fiction. I’m always
interested in the idea of identity and responsibility, which are two of
the biggest themes in YA and still incredibly relevant beyond that. I
mean, who gets to 18 and says, “Yes, that’s it. I know exactly who I am.
This is me.”?
I love having the opportunity and freedom to work in both fields and I
hope I don’t treat them that differently (although, in fairness, I try
to swear a bit less in YA!). The one big change I’ve found, though, is
that I feel there have to be more consequences in YA. Not in a judge-y,
lecture-y sort of way, but the Blood and Feathers books have,
for instance, a fair amount of casual violence in them … and I don’t
think I’d be comfortable writing that into a YA.
Room 101 time: what one genre cliché would you get rid of?
Every genre comes with its own set of clichés; they’re what help us identify them as
a particular genre, aren’t they? I think I’d rather get rid of the idea
that there’s “literary” fiction and “genre” fiction and never the twain
shall meet. There’s a fair amount of snobbery in either direction, and
that utterly infuriates me. There are as many different stories in the
world as there are ideas and not all of them will appeal to everyone …
and that’s OK.
What inspired you to run a marathon next year and where can people go to sponsor you?
If only it were a full marathon! I’m actually running a half-marathon
(although that’s still 13 miles which is enough to make me weep at the
moment): the Bath Half, in March 2015. I’ve thought about it for a
couple of years now, and never managed to talk myself into it, but I did
one many years ago (the Moonwalk, which takes place at night through
central London) and I loved the challenge. I am, clearly, a glutton for
punishment.
As part of that, I’m hoping to raise some sponsorship money for Kids
Company, who operate centres in both London and Bristol to provide
practical, emotional and educational support to vulnerable inner-city
children. You can find out a little more about them on their website.
Their work is amazing and incredibly worthwhile, with the potential
to make an enormous difference to so many children’s lives, but they
need at least £13.5 million a year to keep doing it. Even the tiniest
donation helps towards that and is incredibly welcome, so if anyone
would like to sponsor my months of running (which, believe me, is
something you won’t hear me saying very often) to train through the
winter, and for the race itself, you can find my sponsor page here: http://uk.virginmoneygiving.com/runloumorgan
What are you up to next?
I have a couple of stories I’m really excited about which should be
surfacing in the near future. Besides “Death and the Weaver”, there’s a
story about Oliver Cromwell’s other head which will appear in Fox
Spirit’s Missing Monarchs issue of their Fox Pockets series, and I was thrilled to be asked to contribute to the third volume of the Zombie Apocalypse!
anthologies. Zombies have never been my favourite monsters, so the
chance to create one that interested me was too good to pass up.
The beginning of 2015 also sees the paperback release of Sleepless,
my first YA book for Stripes Publishing as part of their Red Eye horror
series, which follows a group of friends who take an unlicensed study
drug they find on the internet. It’s all set around the Barbican and
Smithfield meat market in central London, because ever since I lived
there I knew I wanted to set a horror story there! And it’s probably not
giving too much away to say that for it won’t end well for everyone…
For more information, check out loummorgan.wordpress.com or @LouMorgan
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